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1995-02-26
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<text id=94TT1659>
<title>
Nov. 28, 1994: Cover:Show Business:Torch Passed
</title>
<history>
TIME--The Weekly Newsmagazine--1994
Nov. 28, 1994 Star Trek
</history>
<article>
<source>Time Magazine</source>
<hdr>
COVER/ARTS & MEDIA/SHOW BUSINESS, Page 76
The Torch Has Passed Off-Camera, Too
</hdr>
<body>
<p> What becomes a legend most? For Rick Berman, who teamed up with
Star Trek creator Gene Roddenberry in 1987 and inherited the
franchise mantle after Roddenberry's death four years later,
the challenge has been to honor the creator's concept while
also moving it forward. The original series was set in the 23rd
century, The Next Generation in the 24th; but the century Berman
has to worry about is the 21st.
</p>
<p> "Star Trek was never, and hopefully never will be, my vision
of the future," says Berman, 48, a former documentary filmmaker
and children's TV producer. "It's Gene Roddenberry's vision
that I agreed to uphold." The job is trickier than it might
seem. Berman, a vice president at Paramount when Roddenberry
tapped him as the producer of The Next Generation, has had to
sail his enterprise between the Scylla of Roddenberry's own
"prime directive"--a stricture against any conflict among
members of Starfleet--and the Charybdis of mass-market appeal.
</p>
<p> "I went through a rather strenuous apprenticeship," recalls
Berman, a workaholic with few outside interests other than his
wife Elizabeth and their three children. "I learned what was
Star Trek and what wasn't. I learned all the nomenclature, all
the rules and regulations. I learned the difference between
shields and deflectors--that was a day right there. Slowly,
Gene began to trust my judgment and also to trust that I would
adhere to the rules, that I would not be someone who would want
to change Star Trek."
</p>
<p> Still, he says, "there were some things that existed with Roddenberry
that were very frustrating to us. Not to have conflict among
your characters makes it very difficult, because all the conflict
has to come from outside. On The Next Generation, with the exception
of an android and a Klingon, pretty much everyone was human,
and they weren't allowed to be involved in conflict, so that
was very frustrating for the writers."
</p>
<p> So frustrating that in the first two seasons TNG writers came
and went like Tribbles as Roddenberry assiduously rewrote nearly
every script to conform to his notion of futuristic collegiality
and his distaste for warfare. He had written for such popular
shows as Dragnet and Have Gun Will Travel, and candidly envisioned
the original Star Trek series as a "Wagon Train to the stars."
In his quintessentially '60s view, the final frontier may have
been full of hostile Klingons and dangerous Romulans, but they
were generally susceptible to a pep talk--only occasionally
augmented by a punch in the nose--from Captain Kirk. "Everyone
always wants me to do space battles," Roddenberry remarked in
1989. "Well, screw them. That's not what Star Trek is about."
</p>
<p> Conflict, however, is the stuff of drama, and space battles
are what the paying public wants to see, especially on the big
screen. Since Roddenberry's death, Berman has evolved Star Trek
into something darker, more elemental and more mysterious. "Rick
was a little more broadminded about what I was permitted to
explore as a character," observes Patrick Stewart, TNG's Captain
Picard, and the new shows are stretching the Star Trek guidelines
even more. On the current Deep Space Nine, set on a remote space
station, Starfleet officers tangle with the alien races who
share the outpost. And in the forthcoming Voyager series (which
features the first female starship captain in a leading role,
albeit in a form-fitting uniform), Federation stalwarts must
make an uneasy truce with a contentious band taken on board
in a distant part of the universe. "This way," explains Berman,
"you have a core group of people who were not all brought up
on Gene Roddenberry's 24th century Earth. They don't have to
follow the rules."
</p>
<p> Whether that reasoning will pass muster down the line remains
to be seen, since Trek fans are notoriously alert to any noncanonical
deviations from Roddenberry's holy writ. "The laws of Star Trek
are totally fictional but are held by the fans with such reverence
that they have to be followed as if they were Newton's," says
Berman. "You have to treat them very carefully, because there
are people who for 25 years have considered them sacred." Even
so, there are times he contemplates heresy: on his desk sits
a bust of Roddenberry, its eyes and ears covered by a blindfold.
"Things are sometimes said in this office that he probably would
not like to hear," Berman says.
</p>
<p>-- By Michael Walsh. Reported by Dan Cray/Los Angeles
</p>
</body>
</article>
</text>